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She needs scenes with others to come alive. Alone on screen she is marooned in her own film, radiating simply steely watchfulness. She can rappel down a staircase using a fire hose, endure waterboarding and use a dinner tray as an assault weapon, but there’s little insight in her inner life or emotions and her backstory appears too late. Do all baddies have to drive shiny black Range Rovers and wear thick gold necklaces over their turtlenecks? Do all mob bosses have to swim in an luxurious indoor pool surrounded by frescos while opera plays? Are evil security details so dumb that they use drones and helicopters but can be tricked by a simple haircut?Īt the film’s center is Q but there is a hollowness there. These are my favorite shoes.”īut so many cliches abound. Nothing an apple martini and a liter of AB+ won’t fix.” Or, in a testy showdown with a rival: “Let’s hope this doesn’t get messy. Q has some lines that slay, like when she’s bleeding badly and told she doesn’t look so good. It is written by Richard Wenk (“The Equalizer” film franchise) and directed by Martin Campbell (“Casino Royale”). The filmmakers are very versed in cool, chic professional-led violence. “I’m going to end their life and anyone standing in my way.” “I’m going to find out who killed my friends,” Anna declares.
MOVIE PROTEGE SERIES
Smith” mashed with “La Femme Nikita,” which is funny because a CW series version of “La Femme Nikita” starred Q from 2010-13. It’s at this point that the film wants too much, stretched between a blood-soaked, martial arts-and-gunplay revenge flick and a dance between would-be lovers. After all, there’s no crying in assassin movies. Someone is murdering everyone that Q’s Anna holds dear. The reemergence of a decades-old assassination then triggers the plot into overdrive, taking us from London to Da Nang, Vietnam. Audience members may perk up at this moment: This IS interesting. Like her, he can ID a gun’s brand simply by hearing it cocked. He’s a rival elite assassin who can quote obscure Edgar Allen Poe poems by heart as well as recognize a great pair of Manolo Blahnik pumps. In her spare time, she runs a rare book shop in London, as most elite assassins do. Jackson - and is molded into an elite assassin herself. She plays Anna, an orphan adopted by a very wealthy veteran assassin - played by Samuel L. Q fans will just probably be grateful that she manages to make it to the last scene of the film alive, given all the shooting, explosions, knives and torture in “The Protege,” a sleek derivative diversion. But top billing for this thriller goes to Michael Keaton, who saunters in by the 22-minute mark.
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Maggie Q should really be the star of “The Protege.” She’s in virtually every scene, whether covered in blood or couture.